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| About CLG Photography | ||||
| How we started | ||||
| CLG Photography was founded in September of 2007, just months after the birth of our precious daughter, Genevieve. CLG stands for Chris, Laura, Genevieve and Gabriella. We're so thankful that God has blessed us with 2 beautiful, healthy little girls. It's wonderful that Laura can stay home with them as they grow, and this business is the result of our decision for Laura to be a stay-at-home mother. | ||||
Photography is a passion for
us, and we believe the Lord, Jesus Christ, has blessed us with our
abilities; we can do nothing good without Him! As time has passed, we've
learned, improved and have become more enamored with photography. We're serious about
this business; our recent weddings and sessions, along with our
improving equipment list, should prove this. ![]() We've steadily upgraded our equipment, originally starting with two Canon consumer level Rebel cameras and one high quality zoom lens. In 2008 we added a Canon 40D, a more rugged, semi-pro level camera body. We also purchased a Canon 200mm f/2.8L prime lens...fantastically sharp and fast focusing, making beautiful background blur (bokeh). It's one of our most heavily used lenses. We later traded one of the Rebel's for another fast prime lens. In 2009 we added the Canon 50D, expanding our low light capabilities and quality, and bringing more accurate color with a delta E score an entire point better than the 40D. For 2010 we've added the Canon 5D Mark II, which at the present is Canon's highest rated camera for portrait image quality - tied with the 1Ds Mark III, but beating the Mark III at high ISO (typical wedding ceremony and reception territory). We've traded our 40D for another professional, though common lens - the Canon 24-70 f/2.8L. We're very happy with our equipment choices and are looking forward to this season of photography! We'll continue to improve our equipment as we go. Each decision we've made has included a great amount of research and careful consideration of cost/benefit, so we can continue to keep our package prices competitve. |
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| How we work | ||||
| Other than these points, what makes CLG Photography different from the many others in our area? Laura and I have established a style drawn from the inspiration of some East and West coast photographers, in regards to framing, posing/capturing and processing/editing. We make use of off camera lighting and very narrow depth of field. We use medium and long telephoto lenses to add flattering compression to portraits and good background blur (bokeh) along with reflectors to bounce fill light back onto the subject. In indoor events, such as wedding receptions, we shoot with diffused or bounced flash balanced with a higher mix of ambient light than you traditionally see in this area. Why? Because it more closely resembles what you'd really see, and we're not in the days of 400 and 800 ASA film anymore. We do not like photos of brightly lit couples and black backgrounds. | ||||
| CLG Photography's workflow consists of shooting in RAW, archiving to DVD and external hard drives in case of disaster, culling lack-luster or redundant photos, processing those we feel are strong and then editing and, finally, posting to the our proofing site. We do this to every proof! In fact, the photos you see in our portfolio are simply proofs moved over to another gallery. We believe this is an advantage, and though it's a time consuming workflow, we've established an efficient pattern; most, if not all of our clients have been pleased with our turn-around time. | ||||
| For every client (of one of our usual listed packages) we will include a CD (or DVD depending on the volume) of the proof pictures at no extra cost. Our wedding negatives were destroyed years ago and we no longer have a chance to get more high quality large prints...we don't want that to happen to you! There are no session fees, just a package price and an option to order extra prints. There are no re-shoots and no refunds. | ||||
| Our Equipment |
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| Camera Bodies: | Lenses | |||
| Canon 5D Mark II | Canon 24-70 f/2.8L | |||
| Canon 7D | Tamron 17-50 f/2.8 | |||
| Canon 50D | Canon 50 f/1.4 | |||
| Canon Rebel Xt | Canon 50 f/1.8 | |||
| Other: | Canon 85 f/1.8 | |||
| ST-E2, 430EX (x2), Vivitar 285HV | Canon 200 f/2.8L | |||
| Strobes, backdrop system | Canon 70-200 f/4 L | |||
| Various white shoot-through umbrellas, Silver Umbrella, Vagabond II | ||||
| 86" PLM (Parabolic Light Modifier), , 42" 5in1 reflector | ||||
| Gold Level Member of CPS (Canon Professional Services) | ||||
| CHRIS AND LAURA ADAMS | cadams9200@yahoo.com | ||||
| All images are copyright protected ©CLG Photography | ||||